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The music of Contre Jour

Imagine Cut The Rope meeting Angry Birds Space somewhere in French children's literature, and you're getting close. If you've got a smart phone, you owe yourself a copy of Contre Jour for several reasons,...

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free download: Symptomatic EP, by La Machine

In March we met La Machine, concluding, "Sung through a pulse jet and stripped down to the sub-bass." Their dark-as-a-cave, quick-as-a-Zoloft releases continue with the Symptomatic EP. The title track sets paint-can percussion...

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video: “Same Old,” by Audioley

TMIM regulars are already familiar with Francois Peglau, who has been releasing a track-by-track follow up to The Imminent Failure of since December 2010. His singalong verse, campy wit and upbeat revolutionary politics are...

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video vault: “Snow,” by Pooma

How is this for degrees of separation? Desiree's new Finnish obsession leads us to a month-thence Soundcloud upload of a toddler-aged remix of a five-year old track. It's "Snow," by Pooma, from their...

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profile: John Harrison of Cedar Lines

Sunday, January 29, 2012, 11:45am John Harrison can’t find a kit that he likes. The drum line is already written: a smudged, industrial arrangement that summons Cleveland, not Cincinnati. It would work just fine on its own,...

Find of The Week Vol. 3 No. 18: Emanuel and the Fear

I’ve said before that the more members of a band there are the better chances that band has of being great. This assessment stands true for Emanuel and the Fear. Going strong at 11 musicians, this Brooklyn “rock orchestra” was listed in L Magazine as one 8 NYC bands that you need to hear. I can’t agree more with that statement.

Emanuel Ayvas (the guy on the far right with the frizzy hair) is the mind behind the madness. Ayvas doesn’t restrict himself though to the sound that listeners would expect from an arrangement like this. Every track isn’t deeply layered orchestral pieces that make you forget whether you’re listening to a band or Bach. One track may swing in this direction while the next will be more of a jazz style and the next more electronic. Ensembles of this nature have a tendency to present themselves as a bit stuffy but by genre jumping Emanuel and the Fear escape this persona and present themselves as down-to-earth as the next indie group.

Emanuel and the Fear – “The Finale”

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