Merge to Reissue Nuetral Milk Hotel

Merge Records is reissuing, yet again, the classic 90’s Neutral Milk Hotel album In The Aeroplane Over The Sea as well as their previous album On Avery Island on 180 gram vinyl, each LP will come with a download code so you can put them on the mp3 player of your choice even though they’re probably already there. To celebrate the reissue Merge has also dug up some old video of a show that group did in 1998 at New York’s The Knitting Factory. I must say that I have never tried to search out live videos of Neutral Milk Hotel before but watching Jeff Mangum perform there two tracks all I can say is that guy is intense and fearless.

“Two Headed Boy”

“April 8th”

Win a Signed Orba Squara Poster and LP!

We reviewed Orba Squara’s sophomore album The Trouble With Flying a few months ago and found it to be uniquely tantalizing, fresh and uplifting. Now to help continue spreading the word on this great band we are running a contest for 3 lucky winners. Each winner will receive a signed poster as well as a copy of the latest LP.

Entry is simple, just email us at themuseinmusic@gmail.com and write “Orba Squara Contest” in the subject line. The gala will run until midnight November 27th, and the winners will be chosen at random. tMiM will contact you via email if you have won and you will shortly thereafter receive the swag in the mail. At that time you’ll have to provide us some sort of physical address, natch.

Music to their ears

Maybe one day Patrick’s better half will guest-blog the whole CRU hack for us, but in the meantime this quote — from RealClimate — is enlightening, nay: inspiring.

It’s obvious that the noise-generating components of the blogosphere will generate a lot of noise about this. but it’s important to remember that science doesn’t work because people are polite at all times. Gravity isn’t a useful theory because Newton was a nice person. QED isn’t powerful because Feynman was respectful of other people around him. Science works because different groups go about trying to find the best approximations of the truth, and are generally very competitive about that.

From what I’ve read of the leaked emails — and bear in mind it’s early, yet — this does not change my take on the climate change issue even a little. What exactly my take is may or may not be the subject of another post.

“Tallymarks” by The Portland Cello Project

Featuring Thao, and taken from The Thao and Justin Power Sessions.

Cram for your Portland Cello Project mid-term here.

[mp3]Sia – “You’ve Changed”

Sia is already preparing to release the follow up to last years top ten album Some People Have REAL Problems. I received the first track in my email this afternoon. The track is called “You’ve Changed” and will be on the album We Are Born which is expecting a spring 2010 release.

“You’ve Changed” really takes us in a new direction from last years release. Some People Have REAL Problems was really a minimalist album with the music as more of a supporting cast to Sia’s fragile voice. “You’ve Changed” adds more back beats and techno dance grooves that really aren’t becoming to her voice.

Free download: “Know Better Learn Faster” by Thao With The Get Down Stay Down

It’s the title track to their October 2009 release. Download it free, gratis, and for nothing, here. It’s not Wall of Big Sound, it’s Fragile Big Sound, and that’s the best kind. It deserves your utmost attention.

Read up on these misfits here. Err, now? They’re waiting?

[Video] Monsters of Folk – “Say Please” & Contest

Super group Monsters of Folk have released the video for “Say Please” from their critically acclaimed debut self-titled album. The video is directed by cinematographer Lance Acord who has worked with the likes of Sofia Coppola and Spike Jonze. The video features the band as the house band during a Civil War times roller skate party.

In additional news, Monsters of Folk are recruiting their fans to make the video for the next single “Dear God (Sincerely M.O.F)”. The winning video will be chosen from a list of finalists and will be posted on the homepages of Monsters of Folk, Apple/Quicktime and Death + Taxes Magazine websites. The contest winner will also receive $5000, a Gibson guitar signed by the band, and a copy of the new Final Cut Studio software. Five runners-up will receive a signed vinyl album. For more information go here.

Decemberists Animate The Hazards Of Love

The Hazards of Love was a pretty ambitious endeavor for Meloy and crew. Not just with writing a rock opera but also that it premiered live at SXSW and then was taken on the road along with the guest stars Becky Stark and Shara Worden for a long tour with the album being played in it’s entirety night after night. Apparently Meloy hasn’t had enough of the album yet and is releasing Here Comes the Wave: The Hazards of Love Visualized, an animated film that premiered at a Los Angeles show in October and will be released as a full-length film on December 1st via iTunes.

The trailer below has parts that look strikingly similar to the video for “The Rake’s Song” even though none of the creators of that video were used on the film. Filmmakers Guilherme Marcondes, Julia Pott, Peter Sluszka and Santa Maria were enlisted to create animations to accompany individual sections of music from the album.

tMiM Reviews: Old Canes – Feral Harmonic

51vf5xF0fGL._SL500_AA240_Chris Crisci has a Jekyll and Hyde, split personality issue. On one side there is the man that fronts the well established emo band The Appleseed Cast. On the other side you have a mild manner singer/songwriter that fronts the indie folk group Old Canes. The two personalities meet head to head on Old Canes sophomore release Feral Harmonic.

Newton said that no two objects can occupy the same space at the same time. Such is the case with Crisci. He is constantly battling between his experimental emo sound that is so successful in The Appleseed Cast and his down home, back porch stylings. This combination keeps the listener on his heels not knowing what to expect next. Unfortunately this is not a recipe for constant success. The title Feral Harmonic is not just a title but an occurrence. “Sweet” starts out with a slightly distorted acoustic guitar and is soon joined by an unassuming xylophone as it begins to build itself into yet another beautiful track. But after 2:20 the song is cut short and transcends into folk disarray. I can’t completely blame Crisci for this as improve sessions at the end of tracks are an all too common occurrence for punk and emo bands. I’m not a big fan of it then and my standards hold true here as well.

As potentially distracting as “Sweet” could be it isn’t able to take away from tracks such as “Little Courage Bird”, “Trust” and “Flower Faces”. Each one is a folk power ballad of sorts and is an example what can be accomplished with simple and precise song writing. Simple guitar riffs, straight forward lyrics and a few horns can go a long way. Some may argue that horn crescendos in songs, initiated by Neutral Milk Hotel, have run their course. I disagree, keep them coming.

Although Feral Harmonics gets a little rowdy at times it presents itself as a collection of songs that are meant to be heard in an intimate living room full of your closest friends rather than a club filled with complete strangers stuffed shoulder to shoulder. Lyrics like “Watch out for family/Sometimes it’s people that you trust” are charged with emotion as if to say it’s the ones that are close to you that can hurt you the most. Crisci has the ability to write heartfelt and melancholy lyrics without having them seem forced but that are from actual experiences that he has had.

If I was a person that had the capabilities to write songs that people would actually want to listen to this is the type of music that I would write. It gets in touch with my punk rock roots with the simple but effective chords as well as my indie snob side with the acoustic folk edge. This is another album that is going to be tossed around as a potential for my end of the year top ten list.

[Update]Can MySpace Survive Without Streaming?

The latest news is that MySpace is looking to purchase imeem. I’m not exactly sure what the thought process is behind MySpace buying up streaming website, they also purchased iLike a few months ago, but it doesn’t seem that the business model of buying more compnaies in debt to get yourself out of debt is a good one. I don’t feel so sorry for MySpace now that I’ve learned that it is owned my Rupert Murdoch.

It’s no secret that the music industry is struggling with how to take advantage of all the new technology that is available to the music listening public. Their shutting down P2P networks left and right and charging websites like imeem, Lala and Hype Machine millions to allow them to stream the labels latest singles and in doing so are putting them out of business as well.

That being said, TechCrunch posted an article last week that quoted and unknown but knowledgeable source from MySpace that said “They are spending $20 million/month on streaming royalties, and that just isn’t sustainable” and must make a decision before the quickly approaching end of the year.

There are a lot of things in this world that I don’t understand. One of them is why record labels are trying to dead end every music source by making them pay for the privilege to advertise a band’s song. This whole thing seems a bit backwards to me. A record label should be more than happy to get a band’s song out to as many ears as possible. If anything the record label should be paying MySpace not the other way around. MySpace is providing a service to these bands by allowing them to take up some of their bandwidth with media. I understand that labels have to make money in order to continue providing music to the public but I for one am not the type of person that will buy an album without hearing at least 4 songs off of it beforehand even if it’s my favorite band. If I don’t hear some tracks I don’t make a purchase.

I don’t know what the ultimate solution is here. If I did then I would be working somewhere else and making a lot more money than I do now. All I know is that there is a solution. This seems as though it should be a symbiotic relationship between websites wanting to get exposure for a musician and the label. A sort of “you scratch my back I’ll scratch yours”. Allow for free streaming, since no one I know uses MySpace or imeem as a virtual radio station and reward the websites that sell the most albums with exclusive new singles and videos. What’s wrong with that “freemium” model?

We like MySpace here at tMiM. We use it regularly as a link for readers to hear the bands that we are listening to without having to buy an album or a membership to a streaming medium like Rhapsody. Could tMiM survive without MySpace? Absolutely. Bands still have their homepages that usually have a few tracks as well as videos available for free streaming.

MySpace can certainly survive without music streaming but they’ll need to find another way to make the site a little more exciting than it is now. The real question is can the music industry survive if they keep shooting themselves in the foot?