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"At the end of nearly three hours of metaphysical hocus pocus destined to attract the smallest number of paying filmgoers imaginable, you don’t know whether to laugh, boo or write career eulogies for all involved."

For those who fear that the withering film review is a dying art, it isn't. To wit, The New York Observer's unrelenting pan of Cloud Atlas: All you can do while you puzzle over it like...

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<sup>tMiM Interview</sup> Jose Pasillas of Incubus

(im buy propecia online age from Remo) Jose Pasillas has developed into one of music’s most prolific drummers since picking up stick at the age of 16 online viagra in Calabasas CA. as one of the founding...

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Find of The Week Vol. 4 No. 6: Silver Snakes

At times it feels like the music well is drying up faster than any of us would want it to. The next "big thing" is a carbon copy the the previous "big thing" and the...

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Find of The Week Vol. 4 No. 5: Husky

Husky is yet another Australian band that is going to me making waves in the US market here very soon as they tour around this summer with Shearwater. The band is the first Australian band...

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Find of The Week Vol. 4 No. 4: Swear and Shake

Swear and Shake have a sound that would make one think that they hail from the deep south but you'd be far from correct. Having this type of sound come out of New York City...

one-sheet week: “I’ll Leave a Light On,” by Slow Dancing Society

The content will be copy/paste this week as I invoke the border rule and write from the land of sunburns...

remix album: We Don’t Look Back For Very Long, by Antonymes

(email|facebook|twitter) When we last checked in with Ian Hazeldine, the North Wales-based composer who records as Antonymes, he had recently finished...