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"At the end of nearly three hours of metaphysical hocus pocus destined to attract the smallest number of paying filmgoers imaginable, you don’t know whether to laugh, boo or write career eulogies for all involved."

For those who fear that the withering film review is a dying art, it isn't. To wit, The New York Observer's unrelenting pan of Cloud Atlas: All you can do while you puzzle over it like...

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<sup>tMiM Interview</sup> Jose Pasillas of Incubus

(im buy propecia online age from Remo) Jose Pasillas has developed into one of music’s most prolific drummers since picking up stick at the age of 16 online viagra in Calabasas CA. as one of the founding...

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Find of The Week Vol. 4 No. 6: Silver Snakes

At times it feels like the music well is drying up faster than any of us would want it to. The next "big thing" is a carbon copy the the previous "big thing" and the...

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Find of The Week Vol. 4 No. 5: Husky

Husky is yet another Australian band that is going to me making waves in the US market here very soon as they tour around this summer with Shearwater. The band is the first Australian band...

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Find of The Week Vol. 4 No. 4: Swear and Shake

Swear and Shake have a sound that would make one think that they hail from the deep south but you'd be far from correct. Having this type of sound come out of New York City...

The music of Contre Jour

Imagine Cut The Rope meeting Angry Birds Space somewhere in French children’s literature, and you’re getting close. If you’ve got a smart phone, you owe yourself a copy of Contre Jour for several reasons, not the least of which is the music.

David Ari Leon scored the game: a delicate, uncomplicated composition that fits the game’s whimsical and monochromatic appearance like a tailored suit. (“Contre jour” is a photographer’s term that describes the process of pointing the camera lens at the light source.) Leon is a soundtrack veteran, responsible for the music behind such titles as Iron Man Extremis and Planet Hulk.

Stream the video below for a taste:

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