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stream: “My Mind Is Going,” by Clearside

You know how songs that are a little too short can get under your skin somewhat? It's fair to say that I've pretty much absorbed "My Mind Is Going" into my fundamental proteins. ...

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one-sheet week: “Black & White Mountains,” by Snowblink

One-Sheet Week is in the home stretch: -- In 2008, Daniela Gesundheit of Snowblink moved from San Francisco to Toronto, irreversibly altering Snowblink from a whimsical warm-weather band touting four male backup singers (two of whom were...

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stream: “Precipice,” by Matthew Collings and Dag Rosenqvist

Check out the delightfully unsimple "Precipice," from Matthew Collings and Dag Rosenqvist's forthcoming EP Wonderland. It is a lurking, now incendiary thing that marches on with dark clockwork. Mind the serrated guitar and...

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stream: “Sparkler,” by Atom Orr

July 4 saw the completion of Christopher Hoffee's forthcoming Atom Orr release Galaxies With Long Yellow Curtains. This time around the candles on the cake are actually sparklers. Stream it below: Hoffee's hymnal...

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stream: “Capsize,” by Big Black Delta

Sometimes all you need is a thick, muddy flatline of industrial dance. Stream Big Black Delta's "Capsize" below. There is more updated material at the Soundcloud, but its R-rating means you'll have to...

stream: other room listening, by Zvuku

From the Bandcamp:

Irish composer Karl McGrath employs a unique approach to create beautifully constructed, and keenly observed emotional electro-acoustic pieces. Under his alias Zvuku, Karl has had a handful of releases to date, other room listening is his first full length album. Living just over the Dublin / Co Wicklow border, his home looks out over mountains in the West, these and the surrounding landscape have inspired and informed the dynamics of these pieces.

This sense of place is evident throughout the album, and progressed through his approach, which began with recordings of live instrumentation – guitar, violin and piano – and minimal editing or interference with the resulting sound. By leaving hiss, room noise in the recordings, and ‘mistakes’ in his playing, each track retains a human element which delivers a presence of emotion for the listener to experience.

Recorded either in one take, or a handful of sessions, processed and edited in the most part through outboard effects. Karl’s intention to create an ebb and flow of movement via these contrasting walls of sound and quiet interludes is brilliantly realised, weaving the listener into a captivating journey; at once intimate and expansive.

Artist links: wordpress|bandcamp|soundcloud|twitter

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