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reissues: Vryashn, by Bible and Henry

(email|facebook) TMIM staff, in and around the interweb: Fluid Radio has published my review of the Vryashn reissue. Read the whole thing here. Executive summary? Thought you'd never ask: Bible listed “piano, recordings of...

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“Flight” and “Entrance” by Adam Hurst

(email|facebook) We still think that Adam Hurst is the finest brew to come out of Portland since locals referred to the place as The Clearing. Previously out-of-print albums Ruin and Dwelling are available once again,...

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*SKURA, by Richard Skelton

(email|facebook|linkedin) Words often fail regarding Richard Skelton. His music is devastating, and his story is. Reviews tend toward a few, diligent, once-potent descriptions, terms like craft, haunted, and brilliant, but perhaps the best way...

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(email|facebook|linkedin) Words often fail regarding Richard Skelton. His music is devastating, and his story is. Reviews tend toward a few, diligent, once-potent descriptions, terms like craft, haunted, and brilliant, but perhaps the best way...

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Hideous Box by Her Name is Calla

by Fred (email|facebook|linkedin) Leeds-based earthmovers Her Name is Calla have been revisiting the band vault, it seems. The results? A digital reissue of the 2006 single Hideous Box. Listen right here: [bandcamp album=958829314 size=grande2 bgcol=FFFFFF...

reissues: Vryashn, by Bible and Henry

(email|facebook)

TMIM staff, in and around the interweb: Fluid Radio has published my review of the Vryashn reissue. Read the whole thing here. Executive summary? Thought you’d never ask:

Bible listed “piano, recordings of water line pipes, wine glasses, rain on a window, and a garage lamp” as sound sources, all of which sound about right. The installation is mostly abstract, largely subdued, and leans toward the middle of the piano range. It is devoid of vocals, and the only traces of percussion are implied. There are no time signatures, few modules, and even fewer hooks: all positive omens, so far.

Check out the rest at Fluid Radio.

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