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“no one reads reviews anymore” Glimmer, by Jacaszek

Margaret, are you grieving Over Goldengrove unleaving? Leaves, like the things of man, you With your fresh thoughts care for, can you? --"Spring and Fall," (1880), by Gerard Manley Hopkins Gerard Manley Hopkins was a 19th century Jesuit priest, an...

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shortlisted: Glimmer, by Jacaszek

Available December 8, via Ghostly International. It defies language how close this album sits with me right now: musically, sonically, and psychologically. Maybe you'll hear the same? Embedded below is the second track "Dare-gale."...

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stream: Solaris rescore, by Ben Frost and Daniel Bjarnason

Stream Ben Frost and Daniel Bjarnason's rescore of the Solaris (1972) soundtrack at gokoyoko. Electroacoustic to the utmost, Frost and Bjarnason composed the score by conventional means, introduced it to a transcription software, then...

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video: “Edward the Confessor,” by Breton

(email|facebook|twitter) An urgent, infectious, two-chord fire alarm from their forthcoming single, available through Fat Cat Records on November 21. (Their debut album Other People’s Problems will follow in early 2012.) It is an...

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“i like you better as a cat”

(email|facebook|twitter) We originally published this article on June 27. Kreng's recent release Grimoire is a thing of moods: fright and melancholy, insanity and old-school weirdness. There are sad marches through gray matter, delicious art-house cello refrains,...

Colin Stetson – New History Warfare Vol. 2: Judges

When first listening to Colin Stetson, all you can think is “Wow!”  He is a musical pioneer with an unfathomable arsenal.  His intricate percussive valve-work and reed vocalizations elevate him high above any other horn player.  The mind simply cannot absorb it.

Stetson uses a technique known as circular breathing, the same kind of breathing that put Kenny G in the Guiness Book of World Records for the longest note (45 minutes and 47 seconds).  Now let us try a little experiment.  Sing one note for as long as you can and try and breath in through your nose while you are still singing.  Nearly impossible right?  Did you notice how long that was?  Probably nowhere close to a typical five minute Stetson song.  If it was, the Smurf look is good on you.

His second album, New History Warfare Vol. 2: Judges (Feb. 22), was recorded live in single takes — with no overdubs or looping — using 24 different mic positions.  Most of the album  has earthy and gritty sounds unlike typical wood wind playing.  When he plays his raw, flashing saxophone or clarinet he is magnificent.  A few of the songs include vocals by Laurie Anderson and Shara Worden (My Brightest Diamond).  He brilliantly plays assorted saxophones and clarinets, cornet, french horn, and flute.  His resume includes opening for Arcade Fire and The National, as well as playing playing with Tom Waits, Laurie Anderson, TV on the Radio, and Bon Iver.  He also plays in the bands, Belle Orchestre and Sway Machinery.  Stetson is now touring as the opening act for fellow Constellation Records band, Godspeed You! Black Emperor.

Tracklist:

1. Awake on Foreign Shores

2. Judges

3. The Stars in His Head (Dark Lights Remix)

4. All the Days I’ve Missed You (ILAIJ I)

5. From no Part of Me Could I Summon a Voice

6. A Dream of Water

7. Home

8. Lord I Just Can’t Keep from Crying Sometimes

9. Clothed in the Skin of the Dead

10. All the Colors Bleached to White (ILAIJ II)

11. Red Horse (Judges II)

12. The Righteous Wrath of an Honorable Man

13. Fear of the Unknown and the Blazing Sun

14. In Love and in Justice

MP3: Colin Stetson – Judges

 

The Righteous Wrath of An Honorable Man by Colin Stetson

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