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hit and run: “Emboldened Orchestras are Embracing the New”

From Anthony Tommasini of The New York Times. Executive summary: Classical music audiences seem more curious than ever, and performers have been emboldened over the past decade or so to take more chances. Composers from...

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“I just started coughing”

From Anthony Tommasini of The New York Times. Executive summary: Classical music audiences seem more curious than ever, and performers have been emboldened over the past decade or so to take more chances. Composers from...

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Jon Stewart Interviews Grohl, Novoslec and Vig

This weekend was Nirvana mania on SiriusXM's Lithium channel. 24 hours a day is being devoted to nothing but Nirvana. Studio tracks, rarities, b-sides, live shows, you name it and they're playing it. The whole...

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“Made me learn a little bit faster, made my skin a little bit thicker, makes me that much smarter”

(email|facebook|twitter) In an interview by More Than The Music, Her Name Is Calla's Sophie Green answers a handful of questions about gender and music. As always, she beguiles. Some highlights: --- There are few things more...

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what he said: Portland Cello Project

(email|facebook|twitter) In an interview by More Than The Music, Her Name Is Calla's Sophie Green answers a handful of questions about gender and music. As always, she beguiles. Some highlights: --- There are few things more...

"So we sit, wearing headphones and frozen grins, and continue denying that guilty, nagging feeling that actually, in some ways, when you think about it…Radiohead kinda blow."

Few, save for Liam or Noel Gallagher, dare speak this heresy aloud, instead couching it in longings for a “back-to-basics” album or a “return to form,” despite the fact that Radiohead are at their critical and commercial peak. Civil (by Internet standards) discussions reside on Yahoo message boards with titles like “Why Did Radiohead Become Dull and Boring?” But while such almost apologetic criticism typically hides online or at water coolers, sometimes the elephant isn’t in the room, but onstage.

At last year’s All Points West festival, as their thin, stubbly faces filled massive video screens, Radiohead began their set with In Rainbows’ “15 Step”: an open-ended groove with a quirky electro beat, two-chord motif, and airy, abstract singing. Then they did the 2001 song “Morning Bell/Amnesiac”: an open-ended groove with a quirky electro beat, two-chord motif, and airy, abstract singing. Then they kept going, one groovy tone poem into another, masterfully weaving beats, sound-washes, and misty vocals into an immersive experience of sound, light, pattern, rhythm, and utter, paralyzing boredom. By the encore, it was obvious what Radiohead had become: an exceptionally well-dressed jam band. That you can’t even dance to.

From Spin.

One Response to “"So we sit, wearing headphones and frozen grins, and continue denying that guilty, nagging feeling that actually, in some ways, when you think about it…Radiohead kinda blow."”

  1. Patrick says:

    Man would I love to see all the letters to the editor from that article.

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