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video: “Moonsound,” by Christina Vantzou and Ernest Gibson III

Track 3 from Christina Vantzou's remix album is described only as "Various sounds from Nº1 remixed by Ernest Gibson III." She's put it to video. Pretty creepy. Start to read more about Vantzou here. Normally we...

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video: What’s that song on the new Nike Fuelband tv spot?

Track 3 from Christina Vantzou's remix album is described only as "Various sounds from Nº1 remixed by Ernest Gibson III." She's put it to video. Pretty creepy. Start to read more about Vantzou here. Normally we...

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Find of the Week Vol. 4 No. 1: Gotye

Gotye (pronounced “gore-ti-yeah”) is simply Belgian born (now Australian) Wouter "Wally" De Backer who has been making music since a young age and releasing albums with his band The Basics as well as his own...

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radio on the tv: “One Day,” by Matisyahu

Life Vest Inside has put together a real-time pay it forward spot called "Kindness Boomerang," set to Matisyahu's "One Day" (from the 2009 album Light). Read more about Life Vest Inside here, and watch...

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#currently listening: Mirador/Pwdre Ser

An interstate collaboration, with a You Remix Mine, I'll Remix Yours kind of ethic. Philadelphia to Cleveland, a straight shot down I-76 East. Once you reach Pittsburgh, don't forget to take the Butler...

Don't you just love Wednesdays? And Thursdays? And Fridays?

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For us the term “New Music Tuesday” is something of an intentional, ironic misnomer. It isn’t our intent to scoop Pitchfork or NPR on the latest Death Cab For Cutie release. We’re looking for the next Death Cab, not the current one, so if we’re a day or two behind on the news, it’s certainly not from lack of trying. And yes, we’ve probably still scooped Pitchfork and NPR.

And besides, sometimes it just happens that the best music comes later in the week. To wit, this week finds a compelling Thursday release: The Hut by Paul Damian Hogan the Third.

It’s been awhile since you’ve surfed these waves. It’s self-indulgent, to be sure, and maybe this is why I think of another one-man DIY arrangement, Self, known briefly as Matt Mahaffey, or do I have that backwards?

Hogan’s sound is carnivalesque, which as we know can spell either delicacy or bad intent. (In this case it may be both.) The album often meanders into yummy dissonance — then jazzy and progressive transitions, often within the same track — and the vocals rarely exceed a whisper. Under darker signs this would have turned out as Darlings’ Cabinet of Sundry Horror. And with a bit less cloud cover, Jellyfish.

I’ve described it all I can: it’s new (and old), and unpolished, and pretty weird. Go give it a whirl, then check out the rest of his material here.

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