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not sidelined: Agent Fresco

From the band's Facebook: Important message for all of you, who are attending the AK Extreme festival next weekend. I am terribly sorry to announce, that I can not perform or attend the festival. I am at...

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live: Other Lives at American Airlines Center, Dallas, Mon. 3/5/12

Heading into the Radiohead concert last night, it wasn't certain which group of fans would leave more fulfilled. On one hand, the true believers, who are generally indifferent between King of Limbs, Hail to...

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clear your schedule: Music websites that aren’t this one

Electroacoustic übersite Fluid Radio has added a user forum to its webzine/record label/radio station/online retailer/photography/iPhone app format. Seriously, for the website you thought already had everything... In our first of two novelty sites, The Best...

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Listen to Andrew Bird’s Film Score for “Norman”

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Natacha Atlas responds to Wikipedia

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We both knew I wasn't finished posting about Michael Jackson

AWWOMJ2So I don’t know why I went and said that I was. Maybe I was feeling guilty that I compared him to Jorge Luis Borges, although who of the two has made a most lasting impression on his art form? To put it another way: who of the two has made a more lasting impression on you? I heard a bit of “I’ll Be There” on a television ad last night and I had to try not to cry.

But the article that convinced me to take up the subject again? This one, which links to this one.

He dubbed himself the King of Pop, which was a pretty daring act. Previously in our culture, the King of Jazz was Paul Whiteman and the King of Swing Benny Goodman and the King of Rock and Roll was Elvis Presley, all white men. This, in a way, radically redefined the black performer’s relation to music, made Jackson an auteur. In this way, Jackson may have paved the way for Obama in the sense of black man as auteur and self-mythmaker.

From Jackson the Mythmaker to Jackson the Kingmaker? In his own area of expertise, and to a proportionate degree, of course.

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