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The music of Contre Jour

Imagine Cut The Rope meeting Angry Birds Space somewhere in French children's literature, and you're getting close. If you've got a smart phone, you owe yourself a copy of Contre Jour for several reasons,...

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free download: Symptomatic EP, by La Machine

In March we met La Machine, concluding, "Sung through a pulse jet and stripped down to the sub-bass." Their dark-as-a-cave, quick-as-a-Zoloft releases continue with the Symptomatic EP. The title track sets paint-can percussion...

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video: “Same Old,” by Audioley

TMIM regulars are already familiar with Francois Peglau, who has been releasing a track-by-track follow up to The Imminent Failure of since December 2010. His singalong verse, campy wit and upbeat revolutionary politics are...

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video vault: “Snow,” by Pooma

How is this for degrees of separation? Desiree's new Finnish obsession leads us to a month-thence Soundcloud upload of a toddler-aged remix of a five-year old track. It's "Snow," by Pooma, from their...

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profile: John Harrison of Cedar Lines

Sunday, January 29, 2012, 11:45am John Harrison can’t find a kit that he likes. The drum line is already written: a smudged, industrial arrangement that summons Cleveland, not Cincinnati. It would work just fine on its own,...

A Clinical Archives blurb I actually like

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We haven’t much in life, yet we have so much. It is strange how important the small things become. Letters to Kansas City is an ode to H Stewart’s hometown. The songs are written about Kansas City’s neighborhoods, their moods and memories according to H Stewart. The songs were made with a cheap Casio, a used microphone, and a laptop which houses odd programs for sound manipulations. Those things coupled with the memory of home H Stewart create a voiceless album drawing on how little and how much we have in life, and how important it is to be home.

That’s how Clinical Archives introduces Letters to Kansas City, by H Stewart. Music is not that different from photography. It isn’t the equipment that takes the picture, it’s you. You either have the eye or you don’t. Photographs taken from cameras built out of inexpensive, everyday objects can be staggeringly beautiful. They can also be awful. It all depends on the user.

In quite the same way a musical instrument does not need to be expensive, high tech, or expertly tuned. It only needs to be expertly played. This is why I think an LP of strictly Casio compositions is an important project. So while I’m not 100% sold on the results, I’ve listened to every note and think you ought to as well.

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