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hit and run: “Emboldened Orchestras are Embracing the New”

From Anthony Tommasini of The New York Times. Executive summary: Classical music audiences seem more curious than ever, and performers have been emboldened over the past decade or so to take more chances. Composers from...

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“I just started coughing”

From Anthony Tommasini of The New York Times. Executive summary: Classical music audiences seem more curious than ever, and performers have been emboldened over the past decade or so to take more chances. Composers from...

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Jon Stewart Interviews Grohl, Novoslec and Vig

This weekend was Nirvana mania on SiriusXM's Lithium channel. 24 hours a day is being devoted to nothing but Nirvana. Studio tracks, rarities, b-sides, live shows, you name it and they're playing it. The whole...

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“Made me learn a little bit faster, made my skin a little bit thicker, makes me that much smarter”

(email|facebook|twitter) In an interview by More Than The Music, Her Name Is Calla's Sophie Green answers a handful of questions about gender and music. As always, she beguiles. Some highlights: --- There are few things more...

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what he said: Portland Cello Project

(email|facebook|twitter) In an interview by More Than The Music, Her Name Is Calla's Sophie Green answers a handful of questions about gender and music. As always, she beguiles. Some highlights: --- There are few things more...

Top ten most heartbreaking lists

# 1: this list: Entertainment Weekly’s 50 Most Heartbreaking Songs of All Time.

1. Hank Williams, “I’m So Lonesome I Could Cry” (1949)
Williams is so down, even the birds seem like they’ve lost their will to live. Throw in a mournful, clip-cloppy beat and a sobbing fiddle, and you might as well just lie down on the railroad tracks right now. Which is exactly what we feel like doing after compiling this list. We’re going to go listen to “Shiny Happy People” a few hundred times now…

Honky tonk. Yawn. Adam Lambert was right.

For a track to rank as truly heartbreaking, the music snob in me somehow requires violins (not fiddles, mind you, but violins), so I’m going with something by Samuel Barber. Yes, “Adagio” from String Quartet, Op. 11 would qualify (keyword: Platoon). Yes, it’s overused. It’s overused because it’s an excellent piece of music. Here is another piece from the same composer, something a bit more lively:


That is Souvenirs Op.28, “VI. Galop.” Played by Daniel Pollack.

Hat tip, as always, to Ann Althouse.

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